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One has to be attentive right from the beginning of 'Kahaani-Aankhon Ke Pardon Pe' due to an extended guitar piece that plays on for full 80 seconds before Joi Barua and Neuman Pinto come together behind the mike.

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A slow track that does make you listen to Amitabh Bhattacharya's words carefully, 'Kahaani-Aankhon Ke Pardon Pe' gets into a soft rock a minute later, hence bringing on the theme and mood, as evidenced in campus scores. A track that brings to fore the conflict in the mind of protagonists who are unsure about their tomorrow, 'Kahaani-Aankhon Ke Pardon Pe' is a good theme number that marks the kick start of the album.

The moment 'Geet Mein Dhalte Lafzon Mein' begins, you know that it is an Amit Trivedi creation. Remember the constant rhythm of 'Ek Hulchul Si' [Dev D]? It's the same sound all over again which forms the base of this track where both Amit Trivedi and Amitabh Bhattacharya take over the role of singers as well. This time around the mood is that of hope and a better life ahead, hence bringing in a positive sense to the proceedings. Easy on airs, 'Geet Mein Dhalte Lafzon Mein' could have been one heavy number if not tuned so simply.

There is a 50s sound in the way 'Udaan-Nadi Mein Talab Hai' begins. By this time around, you know that Udaan is truly turning out to be a theme album in itself since there is a certain all around consistency in the sound that flows from one song to another. There is a gradual build up that the tune undertakes as the song turns out to be yet another instance where one can reference back to the mood that was set in Dev D. Amit Trivedi, Joi Barua and Neuman Pinto come together for this 'we are free' track which should go well during the film's narrative.

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